“The last time any excavation was allowed inside its ancient sarsen stone pillars was in 1964 but now the first archaeological excavations at Stonehenge in almost half a century are attempting to solve, once and for all, the mystery of how and why the stone circle was built.

The enigma of Stonehenge, famed for its orientation in relation to the rising and setting sun, has puzzled and divided experts for decades. Some say the ancient stones were built as a temple used to worship ancient earth deities. Others say it was a prehistoric astronomical observatory; others claim it was a sacred burial site for people of high birth. Arthurian legend even has it that the stones were put there by the magician Merlin.

But yesterday, researchers started the dig inside the stone circle, a project English Heritage is calling the most significant in the site’s history, and which they hope will finally lift the lid on the truth behind one of Britain’s most famous landmarks.”

(Thanks Kallisti!)

(via The Independent)

(Just for fun: Carhenge)

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“Robert Delford Brown is the strangest pastor I know.

And I don’t think he’d mind me saying that. (I checked, by the way.) In fact, being different from all the rest was part of why he founded the Church of the Exquisite Panic, Inc. in 1964.

Entrenched in the high experimentation of New York’s art scene in the 1960s, Brown wanted a way of marrying his modernist art with his need for a religion without barriers that would allow him as well as his art to be ever-questioning and ever-evolving.

So he came up with Funkupaganism, an Orthodox Pagan religion.”

(via Star News Online)

(Funkupaganism via Funk Up)

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“As the main deity of the funerary cult, Osiris is shown as a mummy wearing the crown and holding the crook and flail as his royal insignia. But why is the god portrayed as a human being?

As is well known, anthropomorphy is a trait shared with all prominent members of the ancient Egyptian pantheon, often in combination with animal features. Likewise, ancient civilisations such as the Babylonians, the Hittites, the Greeks, the Persians, the Indians, the Chinese and the Aztec all widely painted, sculpted and described gods and goddesses in terms of human beings. This raises the question to what extent members of these cultures actually envisioned their gods as humans?

Euhemerus of Messene (4th century BCE) was a Greek mythographer credited with the view that the supernatural tales and characters featured in mythology were really exaggerations of mundane historical events. While his work has not withstood the ravages of time, various classical writers of the Imperial period reflected the opinion that the gods were really just extraordinary human beings.”

(via Thunderbolts. H/T: The Anomalist)

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Happy Equinox everyone!

“Despite evidence that the planets are aligned in his favor, local pagan Jeff Birch, 27, said Monday that he would “rather have a peaceful weekend at home” than attend his family’s Vernal Equinox celebration on March 21. “I realize it’s supposed to be a festive time of conception and new growth in the womb of Mother Earth and all,” Birch said. “But I just know that within an hour of arriving, things will get so bad that I’ll be reverting to my 12-year-old self, hiding in the rec room downstairs, wearing my Iroquois false face mask and fingering my runes for comfort. It’s not worth it.”

“Anyway, wasn’t I just back home for Mabon?” Birch added. Most pagans look forward to marking the Vernal Equinox, when the hours of sunlight equal the hours of darkness. Yet for some, like Birch, this sacred springtime celebration of balance and harmony means contending with family infighting and undue stress.”

(via The Onion)

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This is a great old documentary from 1970 on various occult groups. There are interviews with Alex Sanders, Selena Fox, Olivia Robertson, Micheal and Lilith Aquino, H.R. Giger and many others. Warning: NSFW.

(via Google Video. Thanks Dedroidify!)

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In parts one and two of our interview we discussed the history of the Koldun and their relationship to the Tarot. In this third installment we discuss how to find one’s Tarot Constellation, which form the basis for other Kolduny practices.

TiamatsVision- You mentioned that you use the Tarot Constellation for assistance in helping someone. How does one go about finding their Tarot Constellation?

NATALIA- The process of finding a person’s Tarot Constellation consists of first reducing the birth date down to a single digit. This is the Soul Number. Then find the Tarot card within the major arcana that is associated with that number. Next, you have to find the Persona and Will cards and then the Fate and Path cards. From there you look for the Hidden Influence, Visible Influence and the Inner Teacher cards.

(more…)

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“Evidence of pagan rituals involving swans and other birds in the Cornish countryside in the 17th century has been uncovered by archaeologists. Since 2003, 35 pits at the site in a valley near Truro have been excavated containing swan pelts, dead magpies, unhatched eggs, quartz pebbles, human hair, fingernails and part of an iron cauldron.

The finds have been dated to the 1640s, a period of turmoil in England when Cromwellian Puritans destroyed any links to pre-Christian pagan England. It was also a period when witchcraft attracted the death sentence. Jacqui Woods, leading the excavations, has not traced any written or anecdotal evidence of the rituals, which would have involved a significant number of people over a long period. There are no records of similar practices anywhere else in the world.”

(via Times Online)

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“It lasted a mere 100 minutes but launched an industry that continues to endure after almost 25 years. The Wicker Man film inspired an American remake, several books, an academic conference, and now a West End musical.

The dark tale of paganism, loose morals and murder in the Highlands is set to take on spectaculars such as The Phantom Of The Opera and Les Miserables. Workshop sessions – the step before full rehearsals – start on the new version in London tomorrow and will, in an unusual twist, include award-winning Scottish actress Lesley Mackie, who played a schoolgirl in the original film. It was her very first role.

Discussions have already taken place with Scottish theatres to preview the musical early next year ahead of a West End opening. “Although it’s a brilliant film, it is inherently theatrical,” said Andrew Steggall, who at 28 has been hailed as one of Britain’s most promising young theatre directors and producers. “The key ingredients are music, played by people who are in the story, and a sense of ritual. The Wicker Man would be a rich piece of theatre.”

(via Scotland on Sunday)

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In our first interview with Natalia and Anton we discussed the history and superstitions surrounding the Koldun. In this segment we discuss the history and relationship of the Tarot that form the center of their tradition.

ANTON- I think it’s important before discussing the tarot constellation that we should first review the history of the relationship between the Tarot and the Kolduny. The last time I checked Tarot scholars are totally undivided as to the origins of the Tarot. Stuart Kaplan, Mary Greer, and Rachel Pollack as well as other Tarot historians all seem at a loss concerning the origins of the Tarot. The Kolduny are not at this loss. It is our beliefs concerning the origins of the Tarot that set us aside from other “Tarot” readers. It is our beliefs concerning the origins of Tarot, which creates the pathology that makes Kolduny Tarot both unique and incredibly powerful.

The Kolduny, believe heart and soul that the Tarot is theirs. Even today when people think of the Tarot, the most common mental image is an Eastern European woman laying cards down. There is a reason for this collective mental image.

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Koldoun, Koldun, Koldun’ya (Russian) - A magician or sorcerer; one having more power and knowledge than a znachar (wizard). - (via the Theosophy Dictionary)

The Koldun are an ancient Pagan sect that has existed in the Russian/Slavic areas for hundreds of years. The teachings are passed down through families orally, and there isn’t much written on them. What little is known is written by scholars in a few texts on Russian magic. I sat down and talked with a couple who currently practice and live in the United States, Natalia and Anton Tikimirova.

TiamatsVision- I understand that you use tarot, astrology, numerology, and herbs in your practices. These techniques are used together for example, in finding a specific herb to use for an ailment or looking into a good day to marry. How does this work?

NATALIA- It is all intertwined, that is what keeps it a formal tradition. It is the frigid pathology of the Kolduny that has kept it so separated from other traditions. Unlike Wicca, which has it’s own beauty in its free flowing way of doing things. Yet with that freedom comes a lot of questions, which is why many who claim to be Wiccan are still seeking to define what Wicca is. It seems anyone can buy a couple of books and suddenly be “Wiccan”. I am not sure if this is a good thing or bad thing for Wicca. But that is for them to figure out. Kolduny practices are far more formal and rigid. A lot of what we do is based upon numbers. Time, is very important to us.

(Read more)

(more…)

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“Winter in Ireland means dark and rain and mud and chill that aches in your bones. It means short wet days and long wet nights. Cold that runs damply down the sides of stone walls. Ashen fields, rubbly with last year’s hay. Winter, which began as the sun lost its vigor at Samhain, still holds sway as the land nears Imbolc, or so the cold and the damp proclaim.

But spring is near, near as sheep who materialize out of the fog near spiky outcroppings of granite. Lambs kick within the ewes, hidden as spring on a foggy winter morning. The bitter chill and the ashen fields give no clue to the nearness of a new season but, like the lambs, spring is “in the belly” of winter, for that is the meaning of the word Imbolc. Soon spring, in all its robust fragility and wild insouciant joy, arrives as suddenly as birth which, like death, is always sudden no matter how fervently anticipated or feared.

Imbolc is La Feile Bridghe, the day of Brigit, celebrated each year in ritual in Kildare, the town historically associated with the Celtic goddess and saint. The festival focuses on the largest of the area’s 32 holy wells, where a tiny wooden bridge leads into a grassy sacred precinct. Miniature standing stones link a deep rock-circled well with its outlet in a stream into which shallow stone steps descend. Brigit, sculpted in an old-fashioned nun’s habit, stands in a stone grotto among coins and flowers and other offerings.

People come to the holy wells continually throughout the year, in groups and singly, for traditional healing rituals. But the greatest crowds arrive for Imbolc, when Brigidine sisters sponsor a vigil at the well, which I was honored to attend several years ago. Hundreds join in, many coming from other parts of Ireland to attend at Brigit’s central shrine for her most important holiday. As we gathered in the late evening, we were greeted by a bonfire of gorsewood, welcome in the still-wintry chill. But that was not the only fire that lit the dark well precinct, for the women of Cháirde Bhríde — “heart of Brigit,” the local laywomen’s association — had placed hundreds of candles on the pathways and stone steps, outlining the well and the spring and the pathways. The rushing waters caught and reflected the candlelight, so that the whole precinct shimmered with light.”

(via MatriFocus)

(Thanks Pat!)

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