Elements of the Machine-Man-Drum and Phillip K Nixon Egregiorian factions have merged to bring about an uncompromising auditory assault. These agent/operators will build and present “YOU ARE GOD, GUARD YOUR MIND” - an interactive ritual based on building a synthetic Godhead out of the participatory audience by firing off arrays of lightwave & audio sigils in a stream of auto-gnosis generation via remote interfacing with the biological specimens on hand during this ritual/projection of PKN hyperstition & MMD Temple constructs into 11th dimensional reality structures and programs. They’ll be combining cutting edge technomantic tools like EEG sensory, Radionic Tonality, MIDI utilizing Local Area Networks, and more traditional memes such as Cutups, Noise, and Circuit Bending — Be Aware: this archetypal form sampling will emit reality reshaping radiation fields.
Ikipr (of Machine-Man-Drum) writes:
EEG Driven audio assaults the Godhead/Participant, tempering and strengthening his fortitude and divinity. This is achieved through the feedback loop interaction of the user and the expansive multilayered software backbone. Sorry if I look uninteresting/uninterested in this video, I am busy making minor tweaks to it’s mixing for performance. Due to the somewhat random nature of the software algorithms and the use of EEG as a control interface, the song pretty much does what it wants off of your brainwave data.
This series of conversations is on the topic called the 8 Circuit Brain model. It is something that Timothy Leary first brought into the western consciousness, and later Robert Anton Wilson in his book Prometheus Rising gave it a more wide spread appeal. It was further developed by Antero in his book “Angel Tech”
This conversation covers the following topics:
History and introduction to the 8-circuit brain model
Absorb, Integrate, Transmit: Intelligence Increase
Embracing humility, flaws & paradox on the human journey
Circuit 1: Bio-Survival intelligence
Circuit 2: Emotional-Territorial intelligence
Direct experience
Meeting the needs of the second circuit
To learn more about the 8 circuit model from Antero himself, be at Esozone
And don’t forget, you can see Antero’s new film Invisible Forest:
Thursday June 5, 9pm: DIVA Center, Eugene OR $5.
Friday June 6, 9:30pm: Hollywood Theatre, Portland OR $6.50
Sunday June 15, 2pm: NW Film Forum, Seattle WA. $8.
Wed. June 18, 8:30pm: Pickford Cinema, Bellingham WA $7.50
Friday June 27, 7pm: Shiny Object, West Sacramento. $5.
Here’s Erik Davis’s review of Invisible Forest:
Like a lot of heads, I first encountered the Finish wizard Antero Alli through his playful, prophetic, and handy books. If you are looking for a real-deal reality programming manual with just the right amount of Discordian spice, you can hardly do better than his classic debut, AngelTech. […] I’ve seen most of Alli’s movies, and they keep getting better. The Invisible Forest, Alli’s latest, is the strongest yet,
Above: Vera Meyer performs various songs on a glass armonica.
The glass armonica’s ghostly notes will cause insanity in its musicians and listeners! At least this is what was thought to be true in the 18th century. People were frightened by the armonica’s sound due to it’s strange interactions with the human brain and ears (more on this later). Benjamin Franklin invented the glass armonica (above) in 1761 after being profoundly moved by the sounds of the glass harp (below).
[…]
The glass armonica’s sound is perceived by human ears differently than other instruments because its range is between 1,000 and 4,000 hertz. When sounds are below 4,000 hertz, the human brain compares “phase differences” between the left and right ears to triangulate the origin of the sound rather than comparing volumes. This causes hearing disorientation and a “not quite sure” feeling about where the sound is coming from.
Jennifer Stevenson is the author of “Trash Sex Magic”, and most recently wrote a trilogy of sexy, funny, romantic fantasy, the first of which was recently released called “The Brass Bed” (Ballantine Books). She’s been writing for 25 years and lives in the Chicago area with her husband of 30 years and her two cats.
The Brass Bed begins with the heroine, Jewel Heiss, a tough fraud cop investigating a fake sex therapist, Clay, who has been using an antique brass bed to lure his customers. Trapped inside the bed is Lord Randall (Randy), who in 1811 was cursed and turned into an incubus by his magician-mistress for being lousy in bed. The curse was this: satisfy one hundred women or be trapped in the bed forever. Lucky Jewel was number one hundred, and Randy becomes her personal sex slave. The choice: Clay or Randy? This is where the fun really begins.
I don’t usually read much fiction, but found myself flying through all three books (“The Velvet Chair” is the second [coming out in late May], and “The Bearskin Rug” is the third). There’s plenty of humor, sex and magic to keep anyone reading into the wee hours. The ending in the last book (“The Bearskin Rug”) was a bit of a surprise. If you like funny romantic fantasy, you’ll love this series.
I sat down with Jennifer to discuss her new book, and to get some of her views on magic, and sex demons.
Paul Green’s audio drama of rocketry, passion and magick, performed by Travesty Theatre in London 2005 and directed by Alison Rockbrand. The play explores the life of Jack Parsons - godfather of the American space programme and acolyte of the magus Aleister Crowley.
The G-spot Episode 19, Wes Unruh discusses DIY Gaming with Casey O’Donnell, a PhD candidate in the Department of Science and Technology Studies (STS) at Rensselaer Polytechnic Institute. And more.
Paul Laffoley is the first guest on our Phase II podcast, we discuss for over 3 hours alchemy, magick, psychotronics, art, Paul’s work on the WTC & his plans for building the Gaudi hotel and that barely scratches the surface. We feel unable to write a descent biography on this man, we reccomend looking at his work @ Laffoley.com and our archival coverage of him here at phase II (bet you didn’t even know we had a search feature).
A documentary about Brother Theodore is in production, directed by Jeff Sumerel. According to the official web site: “over 15 hours of interviews have been shot, with additional interviews scheduled in New York, Los Angeles, and Berlin. A brief sample of interviews has been compiled and will be presented to potential executive producers.”
Wes: In looking over Aleph9.comaleph9.png and listening to the music you’ve released, I can’t help but ponder how people have gotten to the point where they’re working with digitized samples to deconstruct meaning, and then rebuilding it all over again. I don’t know that this is specifically a magical process, but it does seem to inform the basis of a lot of people’s magical systems nowadays.
Ikipr: Well it is kind of a magical act in and of itself. It kind of reaches out into that non-linear time interface there, and your digital recordings are like quantum interfaces into what they’re recordings of… it’s also kind of kinetic in a way, there’s a momentum to that evolution. You know, we’re the intelligence in that feedback system, analyzing the inputs, using whatever tools, but we’re still the only utterly free-willed sentience doing that particular aspect of the process there.
Jason Lubyk takes this audio UFO into hyperspace with a reading from his work Mac Had A Secondhand Furniture Store. Keyboards and other noises by Jason as well.
In addition James Curcio provides a special remix of this podcast, which can be found by clicking “Gspot 7 (Remix).”
